Everything is half here,

like the marble head

of the Roman emperor

and the lean torso

of his favorite.

The way the funnel cloud

which doesn't seem

to touch ground does—

flips a few cars, a semi—

we learn to walk miles

above our bodies.

The pig farms dissolve,

then the small hills.

As in dreams fraught

with irrevocable gestures,

the ruined set seems larger,

a charred palace the gaze

tunnels through

and through. How well

we remember the stage—

the actors gliding about

like petite sails, the balustrade

cooling our palms.

Not wings or singing,

but a darkness fast as blood.

It ended at our fingertips:

the fence gave way

to the forest.

The world began.