Pear

Paisley Rekdal

after Susan Stewart


No one ever died for a bite

of one, or came back from the dead

for a single taste: the cool flesh

cellular or stony, white


as the belly of the winter hare

or a doe's scut, flicking,

before she mates. Even an unripe one


is delicious, its crisp bite cleaner

almost than water and its many names

just as inviting: Bartlett and Comice,


Anjou, Nashi, Concorde

and Seckel, the pomegranate-skinned

Starkrimson, even the medieval


Bosc, which looks like it dropped

from an oil painting. It is not a sin

to eat one, though you may think


of a woman's body as you do it,

the bell-shaped swell of it

rich in your hand, and for this reason


it was sacred to Venus, Juno, all women

celebrated or dismissed

in its shape, that mealy sweetness

tunneling from its center, a gold


that sinks back into itself with age.

To ripen a pear, wrap it in paper,

lay it in cloth by an open window


or slip a rotten one beside it

on a metal dish: dying cells call always

to the fresh ones, the body's


siren song that, having heard

it once, we can't stop singing.

This is not the fruit


that will send you to hell

nor keep you there;

it will not give you knowledge,


childbirth, power, or love;

you won't know more pain

for having eaten one, or choke

on a bite to fall asleep


under glass. It has no use

for archer or hero, though

anything you desire from an apple


you can do with the pear, like a dark sister

with whom you might live out

your secret desires. Cook it


in wine, mull it with spices, roast it

with honey and cloves. Time sweetens

and we taste it, so gather the fruit


weeks before ripeness,

let summer and winter both

simmer inside, for it is


a fall fruit whose name in China

means separation, though only the fearful

won't eat one with those they love.


To grow a tree from seed,

you'll need a garden

and a grafting quince, bees, a ladder,


shears, a jug; you'll need water

and patience, sun and mud,

a reverence for the elders


who told no true stories

of this fruit's origin,

wanting to give us the freedom

of one thing that's pleasure alone.


Cool and sweet, cellular and stony,

this is the fruit I'll never die for,

nor come back from the dead


for a single taste.

The juice of the pear

shines on my cheeks.


There's no curse in it. I'll eat

what I like and throw the rest

to the grasses. The seeds


will find whatever soils they were meant for.